{"id":13215,"date":"2024-07-03T16:58:55","date_gmt":"2024-07-03T14:58:55","guid":{"rendered":"http:\/\/lesnouvelleshybrides.fr\/?page_id=13215"},"modified":"2025-12-12T12:54:40","modified_gmt":"2025-12-12T11:54:40","slug":"bio-laurence-vilaine","status":"publish","type":"page","link":"https:\/\/lesnouvelleshybrides.fr\/index.php\/bio-laurence-vilaine\/","title":{"rendered":"Bio Laurence Vilaine"},"content":{"rendered":"

[vc_row bg_color=\u00a0\u00bb#1f497d\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb top_padding=\u00a0\u00bb5″ bottom_padding=\u00a0\u00bb5″][vc_column][vc_column_text]<\/p>\n

Valorisation de la litt\u00e9rature par l\u2019invitation d\u2019auteurs en r\u00e9sidence,\u00a0entretiens, lectures \u00e0 hautes voix, lectures musicales et ateliers\u2026<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb5\/6″][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/4″ css=\u00a0\u00bb.vc_custom_1597758900401{padding-top: 7px !important;}\u00a0\u00bb][services_media title=\u00a0\u00bbLaurence Vilaine\u00a0\u00bb photo=\u00a0\u00bb13200″ style=\u00a0\u00bbstyle_2″ shadow=\u00a0\u00bbno\u00a0\u00bb][\/services_media][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb3\/4″][vc_column_text]Apr\u00e8s des \u00e9tudes d’anglais et plusieurs ann\u00e9es \u00e0 l’\u00e9tranger, Laurence Vilaine<\/b> s’installe \u00e0 Nantes et se consacre \u00e0 l’\u00e9criture.<\/p>\n

Son premier roman,\u00a0<\/span>Le silence ne sera qu\u2019un souvenir\u00a0<\/em>(Ga\u00efa, 2011) a \u00e9t\u00e9 tr\u00e8s remarqu\u00e9.<\/span>\u00a0Apr\u00e8s un r\u00e9cit intimiste,\u00a0La Grande Villa<\/em> (2016), elle publie La G\u00e9ante<\/em>.<\/p>\n

\u00c0 ses romans s’ajoutent des contributions \u00e0 des revues comme Apul\u00e9e<\/em> (Zulma), ainsi que des lectures \u00e0 voix haute. La Grande Villa<\/em>, notamment, a donn\u00e9 naissance \u00e0 une cr\u00e9ation musicale avec le musicien percussionniste Bijan Chemirani (produite par La\u00a0Marelle en 2016). En parall\u00e8le de ses chantiers d’\u00e9criture, elle conduit des ateliers aupr\u00e8s de diff\u00e9rents publics\u00a0: en milieu hospitalier, p\u00e9nitencier, universitaire, scolaire\u2026<\/p>\n

Au fil de plusieurs r\u00e9sidences artistiques, Laurence Vilaine<\/strong> d\u00e9veloppe des projets en lien avec les lieux qui l’accueillent. Sa d\u00e9marche et son \u00e9criture vont de pair, qui tentent de tracer un chemin pour \u00e9couter ce que dit et ce que cache le monde, \u00ab\u00a0le vaste qui nous entoure, et en retour, le n\u00f4tre, un peu enfoui, tout au fond\u00a0\u00bb.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/4″ css=\u00a0\u00bb.vc_custom_1597758900401{padding-top: 7px !important;}\u00a0\u00bb][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb3\/4″][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00a0\u00bb1\/6″][vc_custom_heading text=\u00a0\u00bbBibliographie\u00a0\u00bb font_container=\u00a0\u00bbtag:h2|font_size:18px|text_align:left\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb el_class=\u00a0\u00bbtexte-bleu\u00a0\u00bb][separator width=\u00a0\u00bb90%\u00a0\u00bb height=\u00a0\u00bb1px\u00a0\u00bb color=\u00a0\u00bb#17428c\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbtexte-bleu\u00a0\u00bb]<\/p>\n

\"\" \u00a0 <\/strong><\/em>La G\u00e9ante<\/strong><\/em>, Zulma, 2020<\/p>\n

\"\"<\/strong><\/em>\u00a0 La Grande villa<\/strong><\/em>, Ga\u00efa, 2016<\/p>\n

\"\"<\/strong><\/em>\u00a0 Le Silence ne sera qu’un souvenir,<\/b> Ga\u00efa, 2011<\/em><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][separator width=\u00a0\u00bb100%\u00a0\u00bb height=\u00a0\u00bb1px\u00a0\u00bb color=\u00a0\u00bb#1f497d\u00a0\u00bb][vc_empty_space][vc_custom_heading text=\u00a0\u00bbLes auteurs et les autrices\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_empty_space][recent_portfolio space=\u00a0\u00bbno_space\u00a0\u00bb columns=\u00a0\u00bb5″ rows=\u00a0\u00bb5″ from_where=\u00a0\u00bbcat\u00a0\u00bb category=\u00a0\u00bb89″][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row bg_color=\u00a0\u00bb#1f497d\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb top_padding=\u00a0\u00bb5″ bottom_padding=\u00a0\u00bb5″][vc_column][vc_column_text] Valorisation de la litt\u00e9rature par l\u2019invitation d\u2019auteurs en r\u00e9sidence,\u00a0entretiens, lectures \u00e0 hautes voix, lectures musicales…<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-13215","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/13215","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/comments?post=13215"}],"version-history":[{"count":8,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/13215\/revisions"}],"predecessor-version":[{"id":14554,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/13215\/revisions\/14554"}],"wp:attachment":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/media?parent=13215"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}