{"id":15603,"date":"2026-03-16T15:43:22","date_gmt":"2026-03-16T14:43:22","guid":{"rendered":"https:\/\/lesnouvelleshybrides.fr\/?page_id=15603"},"modified":"2026-03-19T22:04:07","modified_gmt":"2026-03-19T21:04:07","slug":"festival-26-bio-pierre-francois-garel","status":"publish","type":"page","link":"https:\/\/lesnouvelleshybrides.fr\/index.php\/festival-26-accueil\/festival-26-bio-pierre-francois-garel\/","title":{"rendered":"Festival 26 Bio Pierre-Fran\u00e7ois Garel"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row bg_color=\u00a0\u00bb#1f497d\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb top_padding=\u00a0\u00bb5&Prime; bottom_padding=\u00a0\u00bb5&Prime;][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center;\">Valorisation de la litt\u00e9rature par l\u2019invitation d\u2019auteurs en r\u00e9sidence, entretiens, lectures \u00e0 haute voix, lectures musicales et ateliers\u2026<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_custom_heading text=\u00a0\u00bbPierre-Fran\u00e7ois Garel\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb5\/6&Prime;][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/4&Prime; css=\u00a0\u00bb.vc_custom_1597758900401{padding-top: 7px !important;}\u00a0\u00bb][services_media photo=\u00a0\u00bb15529&Prime; shadow=\u00a0\u00bbno\u00a0\u00bb][\/services_media][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb3\/4&Prime;][vc_column_text]<\/p>\n<p><strong>Com\u00e9dien<br \/>Pierre-Fran\u00e7ois Garel<\/strong>\u00a0a \u00e9t\u00e9 form\u00e9 au Conservatoire national sup\u00e9rieur d\u2019art dramatique \u00e0 Paris. Il a \u00e9t\u00e9 mis en sc\u00e8ne au th\u00e9\u00e2tre, dans plus de vingt pi\u00e8ces, notamment <em>Iphig\u00e9nie en Tauride <\/em>de Goethe par Jean-Pierre Vincent, <em>Qui a peur de Virginia Woolf <\/em>d\u2019Albee par Alain Fran\u00e7on, <em>Ph\u00e8dre <\/em>de Racine et <em>Les Serments indiscrets <\/em>de Marivaux par Christophe Rauck, <em>Perturbations <\/em>de Thomas Bernhard par Krystian Lupa, mais aussi par Marcel Bozonnet, Sara Llorca, Adama Diop, Stanislas Nordey&#8230; On l\u2019a vu r\u00e9cemment dans <em>La S\u00e9paration<\/em> de Claude Simon mis en sc\u00e8ne par Alain Fran\u00e7on. En 2016, il a \u00e9t\u00e9 nomm\u00e9 aux Moli\u00e8res dans la cat\u00e9gorie du meilleur second r\u00f4le.<\/p>\n<p><strong>Lecteur<br \/><\/strong>Il a enregistr\u00e9 plus d\u2019une dizaine de fictions pour France Inter et France Culture. Son nom est au catalogue d\u2019un grand nombre de publications sonores aux Editions Th\u00e9l\u00e8me, Audible et Gallimard avec des auteurs tels que J\u00e9r\u00f4me Ferrari, John Irving, Haruki Murakami, Philippe Delerm, Karl Marx, H\u00e9di Kaddour\u2026 Pour l\u2019enregistrement de <em>La Mort du roi Tsongor <\/em>de Laurent Gaud\u00e9, il a obtenu le Prix \u00ab Lire dans le noir \u00bb.<\/p>\n<p><strong>Acteur<br \/><\/strong>Au cin\u00e9ma, on le voit, entre autres, dans\u00a0<em>\u00c9den<\/em>\u00a0de Mia Hanson L\u00f8v (2014),\u00a0<em>Un Peuple et son roi<\/em>\u00a0de Pierre Schoeller (2018) ou plus r\u00e9cemment dans\u00a0<em>Anatomie d\u2019une chute<\/em>\u00a0de Justine Triet (Palme d\u2019or du festival de Cannes 2023).<\/p>\n<p>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/4&Prime; css=\u00a0\u00bb.vc_custom_1597758900401{padding-top: 7px !important;}\u00a0\u00bb][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb3\/4&Prime;][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00a0\u00bb1\/6&Prime;][vc_custom_heading text=\u00a0\u00bbLectures Le Bruit des Mots 2026&Prime; font_container=\u00a0\u00bbtag:h2|font_size:18px|text_align:left\u00a0\u00bb google_fonts=\u00a0\u00bbfont_family:Lato%3A100%2C100italic%2C300%2C300italic%2Cregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal\u00a0\u00bb el_class=\u00a0\u00bbtexte-violet\u00a0\u00bb][separator width=\u00a0\u00bb90%\u00a0\u00bb height=\u00a0\u00bb1px\u00a0\u00bb color=\u00a0\u00bb#45326b\u00a0\u00bb][vc_empty_space height=\u00a0\u00bb10px\u00a0\u00bb][vc_column_text el_class=\u00a0\u00bbtexte-violet\u00a0\u00bb]<\/p>\n<p><em><strong><img class=\"alignnone wp-image-10146\" src=\"https:\/\/lesnouvelleshybrides.fr\/wp-content\/uploads\/2022\/06\/puce_carree_violet.png\" alt=\"\" width=\"8\" height=\"8\" \/>\u00a0 L&rsquo;occupation des sols<\/strong><\/em><\/p>\n<p><em><strong><img class=\"alignnone wp-image-10146\" src=\"https:\/\/lesnouvelleshybrides.fr\/wp-content\/uploads\/2022\/06\/puce_carree_violet.png\" alt=\"\" width=\"8\" height=\"8\" \/><\/strong><\/em>\u00a0\u00a0<em><strong>G\u00e9nie civil<\/strong><\/em><\/p>\n<p><em><strong><img class=\"alignnone wp-image-10146\" src=\"https:\/\/lesnouvelleshybrides.fr\/wp-content\/uploads\/2022\/06\/puce_carree_violet.png\" alt=\"\" width=\"8\" height=\"8\" \/><\/strong><\/em>\u00a0\u00a0<em><b>Le Paysan de Paris<\/b><\/em><\/p>\n<p><em><strong><img class=\"alignnone wp-image-10146\" src=\"https:\/\/lesnouvelleshybrides.fr\/wp-content\/uploads\/2022\/06\/puce_carree_violet.png\" alt=\"\" width=\"8\" height=\"8\" \/><\/strong><\/em>\u00a0\u00a0<em><strong>Exercices de style<\/strong><\/em><\/p>\n<p><em><strong><img class=\"alignnone wp-image-10146\" src=\"https:\/\/lesnouvelleshybrides.fr\/wp-content\/uploads\/2022\/06\/puce_carree_violet.png\" alt=\"\" width=\"8\" height=\"8\" \/>\u00a0 Extraits de textes de Marie Cosnay, Thomas Clerc et Simon Johannin<\/strong><\/em><\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row bg_color=\u00a0\u00bb#1f497d\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb top_padding=\u00a0\u00bb5&Prime; bottom_padding=\u00a0\u00bb5&Prime;][vc_column][vc_column_text] Valorisation de la litt\u00e9rature par l\u2019invitation d\u2019auteurs en r\u00e9sidence, entretiens, lectures \u00e0 haute voix, lectures&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":15282,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-15603","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/15603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/comments?post=15603"}],"version-history":[{"count":10,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/15603\/revisions"}],"predecessor-version":[{"id":15800,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/15603\/revisions\/15800"}],"up":[{"embeddable":true,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/15282"}],"wp:attachment":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/media?parent=15603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}