{"id":8865,"date":"2000-01-01T00:00:11","date_gmt":"1999-12-31T23:00:11","guid":{"rendered":"http:\/\/lesnouvelleshybrides.fr\/?page_id=8865"},"modified":"2025-12-12T14:12:20","modified_gmt":"2025-12-12T13:12:20","slug":"stanislas-roquette","status":"publish","type":"page","link":"https:\/\/lesnouvelleshybrides.fr\/index.php\/les-artistes\/stanislas-roquette\/","title":{"rendered":"Bio Stanislas Roquette"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row bg_color=\u00a0\u00bb#1f497d\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb top_padding=\u00a0\u00bb5&Prime; bottom_padding=\u00a0\u00bb5&Prime;][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: center;\">Valorisation de la litt\u00e9rature par l\u2019invitation d\u2019auteurs en r\u00e9sidence,\u00a0entretiens, lectures \u00e0 hautes voix, lectures musicales et ateliers\u2026<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=\u00a0\u00bb5\/6&Prime;][vc_row_inner][vc_column_inner width=\u00a0\u00bb1\/4&Prime; css=\u00a0\u00bb.vc_custom_1597758900401{padding-top: 7px !important;}\u00a0\u00bb][services_media photo=\u00a0\u00bb8864&Prime; shadow=\u00a0\u00bbno\u00a0\u00bb][\/services_media][\/vc_column_inner][vc_column_inner width=\u00a0\u00bb3\/4&Prime;][vc_column_text]Apr\u00e8s \u00eatre pass\u00e9 par divers lieux de formation tels que des Conservatoires (Paris, Lyon), des \u00e9coles (London Academy of Music and DramaticArt, \u00c9cole du jeu avec Delphine Eliet, Royal clown company&#8230;), Stanislas Roquette consacre une large partie de ses activit\u00e9s \u00e0 la lecture \u00e0 haute voix. Ainsi, il s\u2019est produit pour France Culture, France Inter, France 3, Le Louvre, Le Printemps des Po\u00e8tes, La Maison de la Po\u00e9sie, L\u2019\u00c9cole normale sup\u00e9rieure, la Cit\u00e9 nationale de l&rsquo;histoire de l&rsquo;immigration, le Centre national de la danse, le Th\u00e9\u00e2tre du Ch\u00e2telet, le Th\u00e9\u00e2tre de l&rsquo;Od\u00e9on, la Maison Jean-Vilar&#8230;<\/p>\n<p>Com\u00e9dien, metteur en sc\u00e8ne, et enseignant \u00e0 Sciences-Po Paris pour des ateliers de pratique th\u00e9\u00e2trale, nomin\u00e9 pour la r\u00e9v\u00e9lation th\u00e9\u00e2trale au Prix du Syndicat de la Critique 2012, il a jou\u00e9 dans des mises en sc\u00e8ne de G\u00e9rald Garutti (<em>Lorenzaccio <\/em>de Musset), Jacques Lassalle (<em>Le Fils <\/em>de J. Fosse), Denis Gu\u00e9noun, Christian Schiaretti, Gabriel Garran&#8230; Il a mis en sc\u00e8ne <em>La Machine de l\u2019homme<\/em>, cr\u00e9ation sur le rapport de Jean Vilar au personnage du <em>Dom Juan <\/em>de Moli\u00e8re (Festival d\u2019Avignon, 2013).<\/p>\n<p>Stanislas Roquette a cr\u00e9\u00e9 en 2021 \u00e0 Avignon, son seul-en-sc\u00e8ne d\u2019inspiration autobiographique <em>Insuline &amp; Magnolia<\/em> en tourn\u00e9e actuellement.<\/p>\n<p>En lecteur virtuose, \u00e9blouissant et curieux, Stanislas Roquette donne aux textes qu\u2019il s\u2019approprie, limpidit\u00e9 et clart\u00e9; il en restitue toute la profondeur de la pens\u00e9e, avec finesse et intelligence.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][vc_column width=\u00a0\u00bb1\/6&Prime;][\/vc_column][\/vc_row][vc_row][vc_column][separator width=\u00a0\u00bb100%\u00a0\u00bb height=\u00a0\u00bb1px\u00a0\u00bb color=\u00a0\u00bb#1f497d\u00a0\u00bb][vc_empty_space][vc_custom_heading text=\u00a0\u00bbLes artistes\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_empty_space][recent_portfolio space=\u00a0\u00bbno_space\u00a0\u00bb columns=\u00a0\u00bb5&Prime; rows=\u00a0\u00bb5&Prime; from_where=\u00a0\u00bbcat\u00a0\u00bb category=\u00a0\u00bb73&Prime;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row bg_color=\u00a0\u00bb#1f497d\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb top_padding=\u00a0\u00bb5&Prime; bottom_padding=\u00a0\u00bb5&Prime;][vc_column][vc_column_text] Valorisation de la litt\u00e9rature par l\u2019invitation d\u2019auteurs en r\u00e9sidence,\u00a0entretiens, lectures \u00e0 hautes voix, lectures musicales&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":6817,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-8865","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/8865","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/comments?post=8865"}],"version-history":[{"count":11,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/8865\/revisions"}],"predecessor-version":[{"id":12577,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/8865\/revisions\/12577"}],"up":[{"embeddable":true,"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/pages\/6817"}],"wp:attachment":[{"href":"https:\/\/lesnouvelleshybrides.fr\/index.php\/wp-json\/wp\/v2\/media?parent=8865"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}